This versatile camera uses three 1/3" CMOS sensors with 12-bit processing to deliver Full HD 1920x1080 video at up to 60p. The GY-HM890CHU offers a full complement of broadcast features, including HD-SDI input with 4:2:2 sampling, a 3G-SDI output, HDMI output, timecode, genlock, and variable frame rates.
The camera provides dual SDHC/SDXC memory card slots which allow for a wide range of recording options. In addition to recording high quality footage, you can also simultaneously record in two different formats, for lower resolution proxy or web-ready files, or use the two media card slots for relay recording. With built-in network protocols, all you need to do is attach available USB network adapters to begin streaming live from your shooting location, while simultaneously recording to SDHC/SDXC memory cards.
Optional studio components add another layer of professional functionality, making the GY-HM890U suitable for both field and studio work. A compact shotgun microphone and 20X lens is standard.
The Canon EOS C100 Mark II uses the same Super 35mm Canon CMOS sensor as its big brother, the C300, but uses a Digic DV 4 processor. With an EF lens mount, the camera is compatible with the full range of Canon EF, EF-S, and EF Cinema lenses. The camera uses the AVCHD codec to record 1080p video up to 24 Mbps or MP4 at 35 Mbps. It supports dual SD/SDHC/SDXC memory cards which, thanks to the efficient AVCHD codec, allows you to record nearly three hours of HD video on a single 32GB card. For professional applications, you can also record clean, uncompressed 4:2:2 video with embedded timecode via the HDMI output.
With an extended ISO range from 320 to 102,400, the EOS C100 Mark II is even more sensitive to light than its predecessor. This lets you shoot usable footage during low-light and night shoots, even when using available or ambient lighting as your main light source. Being able to operate under lower light levels means you can work quickly with smaller crews and resources, ideal for low-budget and independent filmmakers.
The A7S II offers an impressive blend of sensitivity, dynamic range, resolution, and speed to benefit a versatile multimedia workflow. Revolving around a full-frame 12.2MP Exmor CMOS sensor, the a7S II is capable of internal UHD 4K recording at 30 fps with full pixel readout as well as 1080p recording at up to 120 fps, all in the XAVC S format. For both stills and video recording, the BIONZ X image processor also pairs with the sensor to enable expanded sensitivity to ISO 409600, continuous shooting to 5 fps, and fast intelligent autofocus with low-light sensitivity to -4 EV. Further enabling working in difficult lighting conditions, 5-axis SteadyShot INSIDE image stabilization compensates for vertical, horizontal, pitch, yaw, and roll camera movements for sharper, smoother handheld recording.
A 12.2MP full-frame Exmor CMOS sensor and BIONZ X image processor work together to enable an expansive dynamic range with minimal noise and notable sensitivity from ISO 100-102400, which is further expandable to ISO 50-409600. Coupled with the large individual pixel size the 12.2MP sensor affords, this camera is well-suited to use in low-light conditions.
The GoPro Hero 9 Black is the most powerful and versatile action camera you can buy. While the new sensor and front display are useful additions, the new changes represent a big leap over the Hero 8 Black. No other
action camera can match the Hero 9 Black's feature set.
The two biggest upgrades are its new sensor and front display. That new 23.6MP sensor shoots 5K video that does deliver
slightly more detail than the Hero 8 Black.
But the bigger benefit is to its electronic stabilization, with the Hero 9 Black able to provide HyperSmooth Boost – GoPro's strongest stabilization – in all shooting modes. This makes it a top performer for those who demand high-quality 4K (and 5K) video.
The Hollyland Cosmo 1000 Plus allows us to transmit an HDMI/SDI signal up to 1200' line-of-sight to an HDMI or dual SDI outputs. The transmitter/receiver set supports up to 1080p60 signals with a latency of <1 ms. The transmitter offers one HDMI and one SDI input, one 3.5mm stereo audio input, and
one SDI loop-through output. The receiver offers two SDI and one HDMI output.
The system operates on the 5.1 to 5.9 GHz frequency band and is encrypted to prevent video leakage—only the matched receiver shows clear images; unmatched units are unable to receive video, even when on the same frequency. The system supports RSSI (received signal strength indicator) and has
multi-channel selection, which allows you to choose the cleanest channel for transmission. Both units also feature a bright, easy-to-read OLED display.
The transmitter is designed to be powered via an L-series battery plate or a 2-pin LEMO connector, and the receiver features a Gold mount battery plate and a 2-pin LEMO connector. Two D-Tap to LEMO cables are included to provide the flexibility to power both units via a cable connection to separately available,
compatible batteries. The transmitter uses two antennas and the receiver, five antennas.
For multi-camera livestream requirements, CAMP uses YOLOBOX. With an encoder, switcher, monitor and recorder all built in one, YoloBox is a complete studio switcher device which allows us to transmit a full HD live stream, multi-camera production, picture in picture, logos, overlays and much more.
For simple, single camera livestreams that don't require graphics, our tool of choice is the Webcaster X2. The Webcaster is a dedicated hardware encoder for live streaming, enabling CAMP to stream your project on YouTube, Facebook Live, and more to create high-quality live content directly from our camera or any HDMI source.
The Mavic 2 Pro from DJI is a drone that balances power, portability, and professional-quality visuals with the inclusion of a 20MP Hasselblad L1D-20c gimbal camera. The camera delivers a 1" CMOS 4k sensor with an adjustable f/2.8 to f/11 aperture, support for a 10-bit Dlog-M color profile, and 4K 10-bit HDR video capture.
The Mavic 2 Pro utilizes a low-drag aerodynamic body design for achieving speeds up to 47.7 mph, a four-cell LiPo battery for up to 31 minutes of flight time, and low-noise propellers for filming without being distracting. This power and performance are coupled with a variety of dynamic shooting modes and other capabilities that help us achieve beautiful cinematic results in 4k or HD.
The Mini 2 represents a leap forward for photographers; it is a 12MP 1/2.3-inch sensor with f/2.8 sensor and a 24mm EFL, but, crucially, DNG (Raw) format is available. This is great for enthusiasts and professionals who want or need to spend some time with the best dynamic range available, and further bolstered by the provision of Auto Exposure Bracketing .
The drone does a near-flawless job of stabilizing the camera (a sharp change in speed of travel can catch it unprepared) and screen provides useful over-exposure warning if needed.
The Mavic Mini 2 fits in the palm of your hand and can operate unobtrusively due to its small form factor and high performance propellers.
The Phantom 4 Pro Version 2 features a 3-axis-stabilized gimbal camera with a 20MP 1" CMOS sensor capable of shooting up to 4K60 fps video and photo bursts at up to 14 fps. It also utilizes the FlightAutonomy system, which includes dual rear-vision sensors and infrared sensing for a total of five directions of obstacle sensing and four directions of obstacle avoidance. Instead of Lightbridge, the Phantom 4 Pro Version 2 now uses Ocusync, which enables improved live video stream performance.
Other notable enhancements include lighter props and reduced
overall takeoff weight, wireless integration with DJI Goggles, and bolstered transmission power.
The Mackie ProFX16v3 is a 16-channel mixing console featuring 11 Onyx microphone preamps with 60 dB of headroom and a built-in effects engine with 24 built-in FX, making it well suited for live sound, home recording, and content creators. The integrated 2x4 USB audio interface offers high-quality 24-bit / 192 kHz recording and playback with zero-latency monitoring.
Channels 1-2 offer combo XLR-1/4" mic/line connections and a Hi-Z switch (for guitar and bass), while channels 3-11 offer XLR or 1/4" inputs. Channels 1-8 include inserts and single-knob compressors. Channels 9/10, 11/12, and 13/14 offer two 1/4" line inputs each (L and R for stereo), while channel 15/16 uses a 3.5mm stereo input. Channels 1-16 feature gain controls, a 3-band EQ, three aux sends for monitors, a dedicated FX send, pan, mute, and level faders. Engaging channel 15/16's USB 3-4 switch will override the 3.5mm input and enable the USB return from a computer.
The Sony UWP-D21 is a dependable camera-mount wireless lavalier microphone system that delivers uncompromising audio quality while still being easy to use and fast to set up with no menu diving. It is made with simplicity in mind for DIY cameramen, videographers, vloggers, and journalists working in the field without a crew. The system is packed with professional features including NFC Sync and Auto-Gain functions, which handle time-consuming frequency setup and mic-level adjustments for you, so you're ready to shoot within seconds.
The UWP-D21 offers digital signal processing for pristine audio and analog UHF transmission with true-diversity reception for reliability, even under difficult shooting conditions. Rugged and lightweight, this system includes a bodypack transmitter with an ECM-V1BMP omnidirectional lavalier mic. It also comes with a low-profile camera-mount receiver designed for enhanced mobility with compact camcorders and smaller DSLR/mirrorless cameras.
The Pro Camera Carbon Stabilizer from CAME-TV is a handheld stabilizer that can hold cameras of up to 26 lb. The included monitor bracket is height-adjustable and flexible, and the head of the baseplate features power, AV, and HDMI connectors. The stabilizer has a low-shooting bracket. This stabilizer comes with a support vest and a support arm. It also includes an HDMI cable, balance weights, a battery mount base, and a monitor mount.
The DJI Ronin-S is more than just a miniaturized version of the larger Ronin gimbal stabilizers; it represents a scalable ecosystem for integrating DSLR and mirrorless cameras into professional-grade workflows. The single-handed form factor of the Ronin-S lends itself to lighter camera payloads, up to eight pounds.
Manfrotto tripods feature an innovative design that improves performance while reducing weight, as well as offering a soupçon of style. The head's patented Bridging Technology allows for a wider top plate and longer sliding plate that add stability and balance to a set of state-of-the-art professional features. With its ability to support up to 16.5 lb, it can be used with a variety of video and DSLR photo cameras. The newly designed counterbalance system includes four presets from 0 to 16.5 lb, enabling proper balance no matter
what the camera's size or weight.
Whether you're using a pro camcorder or a highly accessorized video DSLR on a rod system, Manfrotto tripods take some of the strain off your support rig by providing two 3/8" threads integrated into the sides of the top plate. These Easy Link connectors allow attachment of monitors, arms, and other accessories directly to the head, making the camera less top-heavy while reducing setup time.
Add smooth sliding motion to your video productions with the lightweight 48" Carbon Fiber Track Slider from Neewer. The slider is lightweight and can support camera rig loads up to 15 lbs.
The large carriage accommodates fluid heads and tripods of various sizes and glides smoothly along the rails thanks to four aluminum bearings, and it has a maximum camera travel distance of 48". The carriage features 1/4"-20 and 3/8"-16 tripod mounting threads on the bottom, and it features a 1/4"-20 camera/head mounting screw. A 1/4"-20 to 3/8"-16 screw adapter is included.
At the ends of the slider are height-adjustable rubber feet for leveling on uneven terrain. On each end, 1/4"-20 and 3/8"-16 threads can be used to mount additional accessories or to mount the slider vertically onto a tripod. A carry case is included to conveniently store and transport the slider.
The CobraCrane Backpacker kit has what you need to get on location anywhere. This kit features our CobraCrane Backpacker allowing you to Boom, Swing, and Tilt along with the 3 foot extension kit, letting you get the camera over 11 feet in the air. The CobraCrane BackPacker include slotted camera bracket for quick removal of cameras, telescoping weight bar for quick and easy setup and balancing, and features cable operated remote Panning and Tilting.